The strange quiet of things misplaced: Craft, material and memory in the work of Elisa Markes-Young

The strange quiet of things misplaced: Craft, material and memory in the work of Elisa Markes-Young

By Belinda von Mengersen

Elisa Markes-Young, The strange quiet of things misplaced #33, 2010, acrylic, pencil, pastel, wool, cotton and silk on Belgian linen, 550 x 1100 mm

Photo: Christopher Young. Licensed by VISCOPY Australia

 

 Abstract This paper will consider the relationship between the performative nature of craft and the transformation of memory, as exemplified in the work of Elisa Markes-Young. Particular reference will be made to her series The strange quiet of things misplaced (2007–2011), which is based on memories of domestic linen from her Eastern European childhood. This discussion offers a provisional reading of the series, relating to the concepts of craft, material and memory, and considers how devices like encounter and mimicry can elicit both memory and improvisational craft practices. Markes-Young, who has no formal training in traditional textile techniques, describes her process as a literal activation of memory through making, giving rise to the question: ‘Can the techniques of material practice provide the means for not only creation and reflection, but also an altogether new “encounter” between the artist and her work: occasioning both new works and enriched memories?’ Such a proposal contrasts with the popular conception of artists drawing on memory to inspire their artworks: here, it is suggested, memory is encountered, activated, and enhanced by physical and conceptual craft practice. Read full paper

Abstract from The strange quiet of things misplaced: Craft, material and memory in the work of Elisa Markes-Young
Full paper published in craft+design enquiry:  Issue 6 2014, Craft.Material.Memory

Memory, Conversation, Encounter, Material-Practice, Performance, Creative-Research